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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Ernst Kurth ： ウィキペディア英語版 Ernst Kurth Ernst Kurth, (1886 Vienna – 1946) was a Swiss music theorist. == Career == Kurth studied musicology with Guido Adler (a student of Bruckner and Hanslick) in Vienna, and earned his Ph.D (1908) with a thesis about Christoph Willibald Gluck's's operatic style. In a relatively short publishing career of about 15 years, Kurth wrote four enormously influential works: ''Grundlagen des Linearen Kontrapunkts'' (''Foundations of Linear Counterpoint''), ''Romantische Harmonik und ihre Krise in Wagners "Tristan"'' (''Romantic Harmony and its Crisis in Wagner's "Tristan"''), ''Bruckner'', and ''Musikpsychologie''. Since the 1940s, Kurth was gradually eclipsed by other theorists (notably Heinrich Schenker). However, his concept of 'developmental motif' has remained influential. A developmental motif is one which gradually changes or grows, becoming a structural carrier of formal developments. An example is the triadic motif heard at the beginning of the first movement of Beethovens' third symphony which only becomes a closed theme at the culminating closing of the movement. Unfortunately, only a small selection of excerpts from Kurth's writings was translated into English by Lee A. Rothfarb.〔(Grove Dictionary of Music ) entry: Ernst Kurth/Works〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Ernst Kurth」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.